Sculpture in the Age of Gianlorenzo Bernini

In this lecture we will explore the dynamic genius of one of the Baroque period’s most influential sculptors and architects. We will begin by examining his early work, such as The Rape of Proserpina (1621–22), where Bernini's skill in capturing movement and emotion first emerged. We'll then move to his celebrated David (1623–24), a striking departure from Renaissance calm, conveying intense action and psychological depth. The highlight of the lecture will be his masterpiece, The Ecstasy of Saint Teresa (1647–52), where Bernini merges sculpture, architecture, and light to create an immersive religious experience. His contributions to the design of St. Peter's Basilica, including the Baldacchino and Piazza San Pietro, will also be discussed, illustrating his mastery in both intimate and monumental scales.

Detail of Bernini's bust of Costanza Bonarelli (1638)

Galleria degli Uffizi, Florence

If you are in Florence and would like to attend this session in person at the British Institute Library, please follow the link to Selected Sessions. To enrol on the full course, please follow the link to Full Enrolment. If you would like to attend this session online, please follow the link to Online Sessions.

If you are unable to access our online registration portal, any form or duration of enrolment may be requested by simply sending an email to bif@britishinstitute.it