Painting in the Age of Caravaggio

This lecture on Caravaggio will delve into the revolutionary impact of his dramatic use of light and realism in Baroque painting. We will begin with his early work, The Calling of Saint Matthew (1599-1600), where Caravaggio’s signature use of chiaroscuro—sharp contrasts of light and dark—draws attention to the moment of spiritual awakening. Next, we will explore Judith Beheading Holofernes (1598-99), focusing on his unflinching portrayal of violence and emotion. The lecture will also examine The Conversion of Saint Paul (1601), where Caravaggio’s naturalism and intense focus on human vulnerability redefine traditional religious iconography. Lastly, we will discuss David with the Head of Goliath (1609-10), a later work that reflects the artist’s turbulent life and introspective view on sin and redemption. Caravaggio’s influence on future generations of artists will be emphasized throughout.

Detail of Caravaggio'’s Bacchus (1598)

Galleria degli Uffizi, Florence

If you are in Florence and would like to attend this session in person at the British Institute Library, please follow the link to Selected Sessions. To enrol on the full course, please follow the link to Full Enrolment. If you would like to attend this session online, please follow the link to Online Sessions.

If you are unable to access our online registration portal, any form or duration of enrolment may be requested by simply sending an email to bif@britishinstitute.it